Sunday, May 23, 2010

David Guetta - Arena, Zagreb, Saturday 22 May 2010

In mid-2009, David Guetta's "When Love Takes Over" (featuring Kelly Rowland) began to climb the European pop music charts. Several smash hit singles later, 2010 has turned into the year of David Guetta.

In 2009 Guetta moved up two spots in DJ Magazine's annual readers poll of the top 100 DJs to number three, just underneath perenniel Dutch favorites Armin van Buuren and Tiësto (those two guys have been in the top three every year since 2003, and van Buuren and Tiësto have been roosting at numbers one and two respectively for the last three years). I will be shocked if Guetta doesn't take the crown this year; he's got a ton of recent hit songs under his belt and he's been touring like mad. Vive la France!

I saw posters for Guetta's Zagreb appearance throughout the Balkans in March, and I felt quite sad that I would not be able to see the show myself.

Urška Renier (pictured on right), who lives in Maribor, Slovenia was luckier. When she bought her tickets the agency also arranged bus transportation from Maribor to Zagreb. After two hours on the road she arrived at the Arena. After the show ended she hopped right back on a bus to Maribor and was home by 8 AM.

Guetta returns to the Balkans on 10 July, when he plays Serbia's Exit Festival at the picturesque Petrovaradin Fortress in Novi Sad.

All photos below by Urška Renier.

His name in lights

Urška writes: "There were about 16.000 people all dancing and screaming lyrics of Guetta's songs. At one moment I felt like a sardine in a can—especially when I was in the front row surrounded by dancing people. For a better understanding, you can watch my movie on YouTube."




The exterior of the Arena

Urška writes: "The concert was in Arena Zagreb, a new multifunctional hall. It was built in 2008 to host big sports, cultural, business and entertainment events, but thanks to its beauty and grandeur it has become the architectural landmark of the City of Zagreb.

"This building has two halls, a large and a small one. The large hall has a seating capacity of 15.200, with 150 seats reserved for disabled persons. Depending on the event, it can accommodate more than 20.000 people."




Inside Arena Zagreb

Urška writes: "There was big floor in the middle and seats on the side. The floor was full (and also the seats, but everybody was standing)."





Cool lights

Urška writes: "The concert (party) officially started at 10.00 pm, but Guetta started playing at 12.30 am. This concert was David Guetta 'and friends,' so first there was a DJ from Slovenia, DJ UMEK. Guetta played for about 3 hours, until 4.30 am. At 5.00 am we left Zagreb. I came home to Maribor at 8.00 am."










Keeping an eye on things :-|

Urška writes: "He played mostly stuff from his album, but also some other songs. I was really disappointed because he didn't play 'One Love.' He generally played songs from his album One Love."

Here is a tracklist:

1. Intro / 2. Gettin' Over / 3. Rhythm is a Dancer / 4. Shots / 5. Love is gone / 6. Memories / 7. Guetta Blaster / 8. Be / 9. When Love Takes Over / 10. End







"Thank you. Thank you very much."

Wednesday, May 19, 2010

Banning the Veil in 1950

Everything old is new again. The French government has adopted a bill to ban Muslims from wearing veils; the bill could become law this fall. Belgium introduced its own such bill for consideration only a few weeks ago.

Sixty years ago, Yugoslavia banned the veil. The communist regime at the time pursued the ban "with the goal of ending the centuries old symbol of inferiority and cultural backwardness of Muslim women" (historian Robert Donia, as quoted on page 15 of this European Stability Initiative Power Point). Those words are not a far cry from French President Nicolas Sarkozy's defense of the ban as quoted in Reuters: "Sarkozy said France was 'an old nation united around a certain idea of personal dignity, particularly women's dignity, and of life together. It's the fruit of centuries of efforts.'"

In another quote that resonates today, Donia also said of the 1950 ban: "the campaign encountered staunch resistance, especially among women outside of Sarajevo and among Muslim men."

In the fall of 1950 the ban was enacted. Around the same time, other curbs were imposed on various segments of Muslim society.

...the suppression of the shariat courts in 1946, the ban on the wearing of the veil in 1950, closure of the mektebs (elementary schools where children learned about the Koran), the closure of all the tekkes (dervish lodges) in 1952, and the ban on the dervish orders...the Muslim cultural and educational societies were shut down by the communists, as was the Islamic printing house in Sarajevo.
--Thinking About Yugoslavia, by Sabrina P. Ramet, describing observations made by historian Noel Malcolm

In light of this, one could understand why historically-astute members of today's European Muslim community might live in fear that a ban on veils and burqas may hint at further restrictions down the line. It's a "slippery slope" argument, but it does have recent historical precedent.

Was Yugoslavia's veil ban a success? I don't know; I suppose that depends on who you ask. But my entertaining Culture Smart Guide to Bosnia & Herzegovina suggests that a more progressive and better-integrated Muslim society emerged afterward in Yugoslavia.

The great question, I suppose, is whether or not such change qualifies as real societal improvement if that change is dependent upon the forced suppression of certain cultural values.

Tuesday, May 18, 2010

Photos from Various Protests in Chania, Greece (Island of Crete)


Daniela Bulgaru, who is currently studying in Chania on the Erasmus program, sent these photos she took of various strikes and rallies going on in the area around Chania. Most of these were taken in the last week or so, although some go back to March.

All photos taken by Bulgaru Daniela Maria.




"I was at school," she says. "They closed the school and had a meeting, and some were like, 'Hey, how are you? We are having a strike--would you like to join us?'" Students are protesting because of funding cuts.




Hellenic Post office employees.




The KKE is (as if you couldn't tell) the Communist Party of Greece.




The KNE is the youth wing of the KKE.




Strikes in Crete are advertised a day or two in advance with posters and flyers (e.g., "come to strike tomorrow, agora, 15:00"). Live music is often featured. Ms. Bulgaru says that some folks show up not knowing precisely which strike they are participating in!





Poster for the All-Workers Militant Front.




Ms. Bulgaru says that the reason students enjoy relatively little intervention from police in their protests stems from World War II; a number of student broadcasters at university were killed back then (the banner below is in observation of that). Thus, today's Greek universities are effectively freedom zones for political expression.

Saturday, May 15, 2010

Lonely Planet Design

What if the font sizes on the covers of Lonely Planet European guides were proportional to the populations of the countries covered within? Sure, we've all asked this at some point, but I have endeavored to illustrate some of the results.

The Netherlands has a slightly above average-sized population for a European nation (hence the lettering doesn't quite fit).



The title of the guide to the largest European country doesn't fit at all, but hopefully the image I have used will convey the subject.



You may be surprised to know that Slovenia is not the smallest European country, population-wise, to have its own Lonely Planet guide.



For example, there is this country:



A Serbian friend pointed out that he did not know the population of his country because it seemed each day it was getting smaller. I have designed a Lonely Planet cover to acknowledge the changing situation.



If you have a favorite European country you want me to design a cover for, let me know.

Thursday, May 6, 2010

The New Pre-Raphaelites

2010's answer to the Pre-Raphaelite Brotherhood is in Bucharest. It may change the nature of modeling.

In the brick-cellar basement of Bucharest's heavy-metal Club Fire, patrons stare transfixed at a slideshow of photographs projected onto a white curtain. Most of the images are of beautiful young women in ethereal settings. Some of the models pose in sunny Herăstrău Park; strum electric guitars on the rooftops of bleak, Ceauşescu-era concrete apartment buildings; or sit in charming Bucharest restaurants.

The images are the works of photographers and models that are among the most popular on the deviantART website. deviantART serves as a place for artists of all stripes to share their work for critique or comment. Online, the site claims 11 million members from all over the world. (deviantART did not reply to requests for comment on this article.)

"We are all friends now," says photographer Iulian Dumitrescu, 24. He and seven other photograhers and models are seated at a table in Curtea Berarilor, a Bucharest bar in the city's picturesque (and seemingly perpetually renovated) old town district of bars and cafes.

They met through Romania-centric discussion groups on the deviantART website. Using a variety of aliases (among them such poetic nom-de-plumes as "WildRainOfIceAndFire" and "ScorpionEntity"), they have forged a network of artists and models that dominate the deviantART photo forums. While Pre-Raphaelite-style imagery is generally popular on the site (which features many wannabe Ophelias and pensive Medieval maidens), the Romanian clique seems to embody the Pre-Raphaelite Brotherhood spirit itself in that they are a tightly-knit collective of young artistic visionaries intent on sharing a particular vision of human beauty. However, artistic idealism sometimes clashes with the real world.

"I had some problems with my boyfriend," admits model and student Alice Oprescu ("GoceAlice"), 19. "He was extremely jealous about what I'm doing. I was modeling for another photographer from deviantART, and he was like, 'Oh, you go on a date with him! You are cheating on me!' Oh no! I didn't do that!"

Feeling the pressure, Oprescu posted a message to her followers letting them know that she was taking a break from deviantART.

"To show him how much I loved him, I told him, 'I am going to quit deviantART,' " she says. "He accepted that for a while, but then I said, 'OK you're not quitting the things that you like, so why should I quit on something that I like?' " Oprescu and her boyfriend broke up, and new photos of "GoceAlice" have appeared on the site since then.

Oprescu and photographer Alin Ion ("~Alyn3D"), 19, periodically leave the table in order to smoke cigarettes, because photographer Andreea Retinschi ("=WildRainOfIceAndFire"), 25, recently had 1.5 liters of liquid drained from her left lung due to complications from pneumonia ("Nothing big," Retinschi insists), and cannot linger in smoky environments. Retinschi is a photographer who sometimes models--but do not call her a model first. "I'm not a model. I'm a photographer," she said when this reporter committed the error. "So, change the question!"

Her popularity on the site took time to cultivate. "You have one picture that you notice is getting very popular," she explains. "Then you might have a few others from the same series that become popular. Then your popularity goes low again. So you have to make something else that people like."

On deviantART she is a superstar whose images are routinely highly ranked by visitors. She has had a few exhibitions of her works in Bucharest. But her popularity on the site has not translated into an income.

"I'm trying to make money," admits Retinschi. "Aren't we all?"

When photographer Dumitrescu ("=ScorpionEntity") reveals that he, too, is looking to make a living at his craft, Retinschi exclaims, "Oh, I didn't know that! So we're competition! Were you keeping that a secret from me?"

"I'm not competition," Dumitrescu says.

"Of course you are," Retinschi replies sharply. "Every photographer is competition to another."

Horror stories of naive young women seeking legitimate modeling jobs only to fall into the clutches of photographers with seedier intent are as old as photography itself. In her book American Eve, author Paula Uruburu describes how a teenaged Evelyn Nesbit was carefully guided through the world of painters and photographers in 1900 New York in order to avoid a lurid fate as a pornographer's model. The close-knit, family atmosphere of the Romanian deviantART network helps to protect models from unscrupulous photographers.

"We are like a great family," says Oprescu warmly as she surveys the faces at the table.

"Working with friends as models trains you for when you work with real models," says photographer Razvan Seitan ("~Sykeye"), 23. "You must always reflect the model's personality, because otherwise it will show in the photos that she's struggling, and it's not right."

"When you know the model, the model is more relaxed and she is in her world with you," says Oprescu. She turns to photographer Dumitrescu and notes, "When he takes a shot of me, he takes a part of myself."

Their camaraderie becomes clear when one listens to them swap stories about outdoor photo shoots marred by an unexpected downpour of rain, photographs taken by mistake that trumped their posed counterparts, and batteries dying at inopportune moments.

None of the photographers in the group began by photographing models. Most began with animals, landscapes, and architecture before moving on to family and friends. This past experience of working primarily with natural light, coupled with the expensiveness of indoor lighting, is why many of the models are photographed outdoors.

"Usually we shoot in nature," Dumitrescu says.

"Parks, gardens, anything outdoors," Ion adds.

"Recently, I found an abandoned factory where I did some photoshoots."

"And you will tell me where that is!"

"Yes. In the very distant future I will tell you," Dumitrescu says dryly.

To the average person, the fashion industry's definition of beauty is governed by a mysterious elite of magazine publishers and fashion houses. To become a popular model on deviantART requires only that somebody with a camera recognizes and desires to share a person's beauty with the rest of the world (sometimes that photographer and the would-be model are the same person). The rest is determined by the number of views and downloads of that image from visitors to the deviantART website. Unhindered by the filtering process of the fashion houses, deviantART models may stray from the rigorous Vogue template of beauty, which opens up interesting possibilities regarding the future of marketing human beauty.

"My mother is quite excited about my modeling, but when she is pissed-off she always tells me, 'Oh you're never going to be a model. You're too small!" says the diminutive Oprescu. "But I don't care; I'm still beautiful."

"You have to be 185 centimeters tall to be a professional model," model and illustrator Raluca Porumbacu ("*Roxaralu"), 20, says.

"It's quite disturbing because there are so many beautiful women who are small," says Oprescu. "Shakira, is small, and so is Nicole Kidman. But they are great! When you see a real model in real model photos, you say 'She looks like a real model.' But she's just like a mannequin--a plastic one, a beautiful object and nothing more."

The group is downbeat about the future of Romania, a country where political corruption remains a persistent problem. Some go so far as to suggest that those who gave their lives in the December 1989 Romanian Revolution "died for nothing."

"The government is like a club," says Oprescu. "They eat reindeer and they give us all the bones. We're like dogs."

Oprescu's father died from lung cancer in 1998. Her mother, now under extra pressure as the family's sole breadwinner, lives in fear that she might lose her government job, Oprescu says. Most in the deviantART clique want to leave the country behind.

Ion shares a gallows-humor joke: "You're afraid of 2012? Come to Romania, because we're a hundred years behind."

But through photography and modeling, the Bucharest gang has found a means of escaping a world that is too much with them. And despite their concerns about the country's political and economic future, they remain optimistic about Romanians in general.

"I think Romanian women are the most beautiful in the world," says Raluca's identical twin sister Roxana ("*JustMeOnyX"), 20. "And then Russia," she adds democratically.

"Romanian people are really talented," her sister adds.

"They have great ideas and they really want to pop out from the crowd," says Oprescu.

They say their parents support their deviantART modeling. "They like our pictures," insists Raluca. But in addition to wearing long, flowing dresses and evening gowns, the women sometimes wear, well, less. How do their parents feel about the lingerie poses?

"The sexy pictures are not for parents!" Raluca says.

Monday, May 3, 2010

A List of Obstacles a Romanian Bus Driver Had to Avoid in February 2010

Chickens
Playing children
Horse-drawn carts
Gypsy pedestrians
A very old man on a bicycle
A very fat man on a bicycle

Tuesday, April 27, 2010